Collegium 1704 give Zelenka a virtual return in Dresden
The energetic string and woodwind introduction to the Gloria could have come from an overture or cantata and soprano Helena Hozová’s sensitive, lighter-than-air rendering of the “Qui tollis peccata mundi” aria would have fit neatly into a romantic opera. Fine accompaniment in the strings gave her vocals a golden glow. Frank Kuznik, Bachtrack
